I studied musicology, Italian studies, and choral conducting in Hamburg, Rome, and Berlin, and earned my PhD in 2018 with a dissertation on 19th-century music criticism at the University of Würzburg. Most recently, I coordinated the Digital Editions department at the Centre for Philology and Digitality there. In 2021/22, I served as a substitute professor for Digital Humanities at the University of Wuppertal. Prior to that, I worked as a research fellow focusing on Digital Humanities at the Leopoldina Centre for Science Studies, as a team member in the academy project Richard Wagner Schriften (Richard Wagner's writings), and on several research projects at the Berlin-Brandenburg Academy of Sciences and Humanities. My research interests include newspapers and magazines, hybridity, and born digital heritage.

• Roeder, Torsten. 2022. "Rescuing Diskmags: Towards Scholarly [Re]Digitisation of an Early Born-Digital Heritage." Magazén, No. 1. https://doi.org/10.30687/mag/2724-3923/2022/05/006.
   

• Roeder, Torsten. 2021. "Kann RIDE auch Musikwissenschaft? Reviews musikwissenschaftlicher Editionen im Open-Access-Journal RIDE." musiconn.kontrovers - Blog des FID Musikwissenschaft, December 23, 2021. https://kontrovers.musiconn.de/2021/12/23/rezensionen-4/.
   

• Roeder, Torsten. 2020. "Die offene Editionswerkstatt: Carl Maria von Webers Briefe in der digitalen WeGA." RIDE - A review journal for digital editions and resources Issue 12: Scholarly Editions (Correspondence). https://doi.org/10.18716/ride.a.12.4.

A complete list of publications can be found here.